The business of creative endeavors (including science)

23 Jul

When I was reporting my most recent article for Science Careers– about the financial end of setting up a new academic laboratory— I couldn’t help but think about the parallels to the day-to-day nuts and bolts of my own work. Though I never set up an independent laboratory, it’s clear to me that both freelance writing and scientific research are “businesses” and that cash flow (and the management of it) is key to creativity, productivity, and progress.

Traditionally academic scientists are reluctant to talk about the management of their labs as “business” and starving artists are beyond cliche. But both groups face the challenge of finding a niche where you can find assignments, gigs, or grant support that achieve a delicate balance between paying bills and pursuing passions, teetering somewhere between the practical and the high-risk– and the adrenaline rush that comes with living in that space. Money clearly isn’t the only part of a creative endeavor, but if you have a creative career, it has to be part of the puzzle.

What comes back to me from my conversations with scientists about setting up their laboratories was this question: “What do I need to be successful?” And sometimes they have to be creative when negotiating that answer with the institutions around them. But as an independent writer, I need that question on my front-burner, too. No, I don’t need five- or six-figure equipment to do my job. But I do need a careful plan– and balance, of collaborative-time vs alone-time, project types and more. I have to remain in-tune and honest with myself about what’s working,  in terms of my personal goals, my clients’ needs, and an ever-changing media landscape.

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